Sunday, February 6, 2:00 at Holy Angels Church, 428 Tiffin Ave., Sandusky. Please note this program begins at 2:00 instead of our usual 3:00 start time. We need to be out of the church by 4:00 because of musicians warming up and Mass set up for the 5:00 Mass. Bring 2-3 organ pieces to share and play for the group on this 2 manual / 9-stop Carl Barckhoff tracker organ.
The stop list is:
SWELL: Salicional 8, Rohr Flute 8, Flute Harmonic 4, Tremolo.
GREAT: Open Diapason 8, Dulciana 8, Melodia 8, Principal 4, Fifteenth 2.
PEDAL: Bourdon 16.
COUPLERS: Swell-Great, Swell-Pedal, Great-Pedal.
This organ was restored in 2010 by the Leek Pipe Organ Co. from Oberlin, OH.
Tuesday, January 25
UPCOMING EVENTS
“Festival of Hymns and Anthems for the Liturgical Year” Sunday, February 13, 2011, 3:00 P.M. St. Joseph Cathedral, Columbus, OH. Featuring the Saint Mark’s Church Choir (Gary Garber, Director of Music), Saint Joseph Cathedral Choir (Paul Thornock, Director of Music), and the Cathedral Brass Ensemble. Suggested donation $10.00. For more information go to www.cathedralmusic.org.
“Silent Movie With Organ” featuring the movie “Ben Hur,” Sunday, March 27, 7:00 P.M. St. John Lutheran Church, 209 Southwest St., Bellevue. A free-will offering will probably be done.
“Silent Movie With Organ” featuring the movie “Ben Hur,” Sunday, March 27, 7:00 P.M. St. John Lutheran Church, 209 Southwest St., Bellevue. A free-will offering will probably be done.
THE DEAN'S LIST
By Henry Kihlken
As noted in the November Newsletter, availability of recommended materials is not guaranteed. Consult with your music supplier or the internet to determine pricing and print status.
ORGAN:
1. “Lenten Preludes: 7 Select Hymns for Organ” By Robert Lau, Published by Harold Flammer (HF-5195). Easy/Medium. All preludes are based on standard Lenten Hymns, “In the Cross of Christ I Glory,” “Savior When in Dust to Thee (Spanish Chant),” When I Survey the Wondrous Cross (Hamburg),” etc. set in the warm, romantic style this composer is noted for.
2. “Preludes and a Partita on Great Hymns of the Church” by Robert Lau, published by Harold Flammer (HF-5185). Easy/Medium. Not strictly a Lenten collection, contents include “Let All Mortal Flesh keep Silence (Picardy),” “Land of Rest,” “Children of the Heavenly Father,” and a Partita on “Fairest Lord Jesus.”
3. “Lent Through Easter: 8 Seasonal Preludes for Organ” Compiled by Darwin Wolford, Published by Harold Flammer (HF-5192). Medium/Difficult. Of exceptional interest is “In Paradisum” by Jean Bouvard in memory of Maruice Durufle. Fantasy on “Christ the Lord is Risen” by Frederick Freeman and “Meditation on ‘O Deepest Woe’” by Joyce Jones are of interest.
4. “St Cecilia Collection: Music for Lent and Easter” Compiled by Dale Tucker, Published by H.W. Gray Publications. Easy/Challenging. Thirty selections previously published by the H.W. Gray Co. of New York. Outstanding are “Beautiful Savior” by David N. Johnson, “Requiem” by Everett Titcomb, as well as several Bach arrangements by E. Power Biggs. Marcel Dupre’s transcription of “In Paradisum” from the Faure Requiem is also included.
5. “Deux Chorals (Dorien-Phrygien)” by Jehan Alain, Collection Herelle, L. Phillip M. Combre. Medium/Difficult. An excellent introduction to this composer’s music. I have found the “Choral Dorien” to be an effective Offertory or Communion piece for Lent. Choral Phrygien is both technically and aurally more challenging.
6. “12 Liechte Choralvorwiel” By G. P. Telemann; Hermann Keller, Editor; Peter’s Edition (4239). Contains “O Lamb of God Most Holy, Our Father in Heaven,” “O Sacred Head Now Wounded,” Christ Jesus Lay in Death’s Strong Bands,” and others. On 2 staves of varying difficulty. No Lutheran organist should be without it (or any other organist).
7. “A Little Chaconne on a Lenten Hymn” by James Engel; Morning Star Music Publication (MSM 10-305). Based on the tune “Stricken, Smitten and Afflicted” which was at one time in wide use in Lutheran Hymnals. This “Chaconne” (an ancient dance form founded upon a recurring and constant rhythmic pattern) makes a lovely Prelude for any Lenten Service. Of medium difficulty.
8. “Nine Easy Chorale Preludes for Lent” by James Engle, Morning Star Music (MSM 10-316). I would hedge at the designation “easy;” there is much useful material here. All, except two, are based upon Lutheran Chorales. The two “outsiders” are “Southwell” and “Winchester New.” Easy/Medium.
CHORAL:
1. “It is the Child” by Garry Cornell; Celebrations Unlimited (CU504); SATB; keyboard with optional C Instrument. While this could work for Lent, it is more appropriate for late Epiphany leading into Lent – the transitional Gesima Sundays under the old Liturgical Calendar. Very Beautiful. Part of the Christ Carnival Series created with the late Herbert Brokering. Of average requirements.
2. “Behold the Lamb of God” by Samuel Sebastian Wesley (1810-1876), arr. By Henry Kihlken; Coronte Press (392-41836); Text by Matthew Bridges (1848); tune “Wigan” from the “European Psalmist” ca, 1872; SATB with organ. For Holy Week, Passion/Palm Sunday or Good Friday. Not difficult, but dramatic requiring careful attention to dynamics and expression, ranging from pp to FF.
3. “Green the Weeping Willow Tree” by Robert Graham; 2 part mixed with flute, piano or organ; Lorenz Corp (AMSI 179) administrator and sole selling agent. Although directions are given in the score for performance without flute, this should never be performed without flute. Excellent also as a duet or solo. Easy, with a memorable melody, but requires sensitivity and expression.
4. “Savior to Your Passion Go” by Robert Wetzler (AMSI 497) SATB with organ; Passion/Palm Sunday. A real find, as this anthem provides an opportunity to present an unfamiliar and unhackneyed Palm Sunday text. Dignified and stately. Easy/Medium.
Note: AMSI publications are available as an uniprint reproduction from the Lorenz Corporation, 501 E. 3rd St., Dayton, OH 45401-0802.
5. “We Will Carol Joyfully” by Robert Wetzler (AMSI376); SATB with echo group. Delightful and melodic setting of an Old English Carol text. Echo effects throughout. The echoes could be sung by a youth group; a good opportunity to involve them with the Senior Choir. Not difficult at all.
6. “He Has Risen” by Sharon Elery Rogers. SATB with keyboard; Coronet Press (392-41992). A quodlibet of 2 contrasting hymn tunes :Llanfair” by Robert Williams and “Hollingside” by John B. Dykes. Very effective, with a soaring descant and big conclusion. Of medium difficulty, requiring a large enough soprano section to accommodate the descant.
7. “The Day of Resurrection (French Carol)” arr. by Henry Kihlken; Coronet Press (392-41905); SATB with keyboard and optional trumpet. A festive setting of a familiar French Carol Melody, used by Willian in the collection “Carols of the Seasons.” Some of you might be familiar with the 1948 arrangement by Carl Halter. Exploits imitation on the phrase “He is Risen,” with separate entries of the voices at various points. Medium/Difficult.
As noted in the November Newsletter, availability of recommended materials is not guaranteed. Consult with your music supplier or the internet to determine pricing and print status.
ORGAN:
1. “Lenten Preludes: 7 Select Hymns for Organ” By Robert Lau, Published by Harold Flammer (HF-5195). Easy/Medium. All preludes are based on standard Lenten Hymns, “In the Cross of Christ I Glory,” “Savior When in Dust to Thee (Spanish Chant),” When I Survey the Wondrous Cross (Hamburg),” etc. set in the warm, romantic style this composer is noted for.
2. “Preludes and a Partita on Great Hymns of the Church” by Robert Lau, published by Harold Flammer (HF-5185). Easy/Medium. Not strictly a Lenten collection, contents include “Let All Mortal Flesh keep Silence (Picardy),” “Land of Rest,” “Children of the Heavenly Father,” and a Partita on “Fairest Lord Jesus.”
3. “Lent Through Easter: 8 Seasonal Preludes for Organ” Compiled by Darwin Wolford, Published by Harold Flammer (HF-5192). Medium/Difficult. Of exceptional interest is “In Paradisum” by Jean Bouvard in memory of Maruice Durufle. Fantasy on “Christ the Lord is Risen” by Frederick Freeman and “Meditation on ‘O Deepest Woe’” by Joyce Jones are of interest.
4. “St Cecilia Collection: Music for Lent and Easter” Compiled by Dale Tucker, Published by H.W. Gray Publications. Easy/Challenging. Thirty selections previously published by the H.W. Gray Co. of New York. Outstanding are “Beautiful Savior” by David N. Johnson, “Requiem” by Everett Titcomb, as well as several Bach arrangements by E. Power Biggs. Marcel Dupre’s transcription of “In Paradisum” from the Faure Requiem is also included.
5. “Deux Chorals (Dorien-Phrygien)” by Jehan Alain, Collection Herelle, L. Phillip M. Combre. Medium/Difficult. An excellent introduction to this composer’s music. I have found the “Choral Dorien” to be an effective Offertory or Communion piece for Lent. Choral Phrygien is both technically and aurally more challenging.
6. “12 Liechte Choralvorwiel” By G. P. Telemann; Hermann Keller, Editor; Peter’s Edition (4239). Contains “O Lamb of God Most Holy, Our Father in Heaven,” “O Sacred Head Now Wounded,” Christ Jesus Lay in Death’s Strong Bands,” and others. On 2 staves of varying difficulty. No Lutheran organist should be without it (or any other organist).
7. “A Little Chaconne on a Lenten Hymn” by James Engel; Morning Star Music Publication (MSM 10-305). Based on the tune “Stricken, Smitten and Afflicted” which was at one time in wide use in Lutheran Hymnals. This “Chaconne” (an ancient dance form founded upon a recurring and constant rhythmic pattern) makes a lovely Prelude for any Lenten Service. Of medium difficulty.
8. “Nine Easy Chorale Preludes for Lent” by James Engle, Morning Star Music (MSM 10-316). I would hedge at the designation “easy;” there is much useful material here. All, except two, are based upon Lutheran Chorales. The two “outsiders” are “Southwell” and “Winchester New.” Easy/Medium.
CHORAL:
1. “It is the Child” by Garry Cornell; Celebrations Unlimited (CU504); SATB; keyboard with optional C Instrument. While this could work for Lent, it is more appropriate for late Epiphany leading into Lent – the transitional Gesima Sundays under the old Liturgical Calendar. Very Beautiful. Part of the Christ Carnival Series created with the late Herbert Brokering. Of average requirements.
2. “Behold the Lamb of God” by Samuel Sebastian Wesley (1810-1876), arr. By Henry Kihlken; Coronte Press (392-41836); Text by Matthew Bridges (1848); tune “Wigan” from the “European Psalmist” ca, 1872; SATB with organ. For Holy Week, Passion/Palm Sunday or Good Friday. Not difficult, but dramatic requiring careful attention to dynamics and expression, ranging from pp to FF.
3. “Green the Weeping Willow Tree” by Robert Graham; 2 part mixed with flute, piano or organ; Lorenz Corp (AMSI 179) administrator and sole selling agent. Although directions are given in the score for performance without flute, this should never be performed without flute. Excellent also as a duet or solo. Easy, with a memorable melody, but requires sensitivity and expression.
4. “Savior to Your Passion Go” by Robert Wetzler (AMSI 497) SATB with organ; Passion/Palm Sunday. A real find, as this anthem provides an opportunity to present an unfamiliar and unhackneyed Palm Sunday text. Dignified and stately. Easy/Medium.
Note: AMSI publications are available as an uniprint reproduction from the Lorenz Corporation, 501 E. 3rd St., Dayton, OH 45401-0802.
5. “We Will Carol Joyfully” by Robert Wetzler (AMSI376); SATB with echo group. Delightful and melodic setting of an Old English Carol text. Echo effects throughout. The echoes could be sung by a youth group; a good opportunity to involve them with the Senior Choir. Not difficult at all.
6. “He Has Risen” by Sharon Elery Rogers. SATB with keyboard; Coronet Press (392-41992). A quodlibet of 2 contrasting hymn tunes :Llanfair” by Robert Williams and “Hollingside” by John B. Dykes. Very effective, with a soaring descant and big conclusion. Of medium difficulty, requiring a large enough soprano section to accommodate the descant.
7. “The Day of Resurrection (French Carol)” arr. by Henry Kihlken; Coronet Press (392-41905); SATB with keyboard and optional trumpet. A festive setting of a familiar French Carol Melody, used by Willian in the collection “Carols of the Seasons.” Some of you might be familiar with the 1948 arrangement by Carl Halter. Exploits imitation on the phrase “He is Risen,” with separate entries of the voices at various points. Medium/Difficult.
Wednesday, December 8
A Musical Masterpiece: Rebirth of the Stambaugh Skinner Organ
A Musical Masterpiece: Rebirth of the Stambaugh Skinner Organ
This article is from WYTV, Channel 33 out of Youngstown/Akron Area. The article contains an audio of the organ as well as a slide show.
http://www.wytv.com/content/news/local/story/A-Musical-Masterpiece-Rebirth-of-the-Stambaugh/-f8PKQnYCk23ww8oPiWiQw.cspx
This article is from WYTV, Channel 33 out of Youngstown/Akron Area. The article contains an audio of the organ as well as a slide show.
http://www.wytv.com/content/news/local/story/A-Musical-Masterpiece-Rebirth-of-the-Stambaugh/-f8PKQnYCk23ww8oPiWiQw.cspx
Tuesday, December 7
FROM OUR DEAN FOR DECEMBER 2010
HOLIDAY GREETINGS FROM THE DEAN! ! May the birth of Christ fill each of you with much peace and joy. A Blessed Christmas and prosperous New Year to all.
What to watch for in the future with regard to “The Dean’s List”:
JANUARY: Lent, Easter Choral, Organ and Instrumental music.
MARCH: Music for Summer: Voicings for small groups and ensembles, music for organ and instruments, easy organ music.
MAY: General Choral and Organ Repertorie.
Your Dean.
Henry Kihlken
What to watch for in the future with regard to “The Dean’s List”:
JANUARY: Lent, Easter Choral, Organ and Instrumental music.
MARCH: Music for Summer: Voicings for small groups and ensembles, music for organ and instruments, easy organ music.
MAY: General Choral and Organ Repertorie.
Your Dean.
Henry Kihlken
Monday, December 6
New Release about Handel's Messiah from Eerdmans

I would like to bring your attention to a new book we have published about Handel’s Messiah. Handel’s Messiah: Comfort For God’s People by Calvin R. Stapert (978-0-8028-6587-8/ $14.99 pb).
If you want to enjoy and appreciate Handel’s beloved Messiah more deeply, this informed yet accessible guide is the book to read.
This book offers a deeper, richer understanding of a beloved musical masterpiece. Stapert provides fascinating historical background, tracing not only Messiah’s unlikely inception but also its amazing reception throughout history. The bulk of the book offers scene-by-scene musical and theological commentary on the whole work, focusing on the way Handel’s music beautifully interprets and illuminates the biblical text.
Click on the cover image for more information. Handel’s Messiah is available for purchase at www.erdmans.com.
Feel free to contact me for more information.
Franklin L. Goldberg
Inside Sales
Wm. B. Eerdmans Publishing Co.
2140 Oak Industrial Dr NE
Grand Rapids, MI 49505
Tel: 800-253-7521 x511
Fax: 616.776.7621
fgoldberg@eerdmans.com
ORGANLIVE MAKES IT EASY TO EXPERIENCE THE MUSIC FOR THE ORGAN
Organlive.com is an Internet audio station dedicated to the music of the classical organ. Broadcasting since 2003, Organlive has become the most-heard organ station on the Internet. The broadcast is completely free to anyone with a broadband Internet connection and is now easier than ever to tune in. Listeners simpy need one click at www.organlive.com to hear the broadcast through Windows Media Player, WinAmp, iTunes, Quicktime, RealPlayer, or any streaming MP3 player. Additionally the stream may be heard on most mobile devices such as the iPhone or Android based phones. The station is also listed in the classical radio stations on iTunes.
A new website makes it easier to search the the ever-growing library of organ music, which currently holds over 10,000 tracks from more than 850 albums of music recorded by organists all over the world. Listeners can log in to rate tracks and albums as well as leave comments on the same. Organlive plays albums recorded on pipe, digital, and combination organs played by the world’s best concert organists, as well as tracks recorded and submitted by less renowned organists. Included are pairings of organ and orchestra, solo instruments, choir, or vocal solos. The listener is presented with the work title, composer, album title, a link to purchase the album or MP3 online, the organ, it’s builder, size, and location, and a link to the specification of the organ being heard, and often a link to public domain copy of the sheet music of the work.
Listeners may browse the entire library searching by work, composer, organist, album, or organ and request tracks to be played. On Sundays the station features hymns, choral anthems, and music of the church. Monday's playlist consists of music from the 19th and 20th centuries. Wednesdays are all-baroque music, and Fridays feature the best music from our library, as rated by the listeners.
The station has been continually funded by the listeners, and an annual budget covering all operating expenses is raised every spring. Organlive is always accepting submissions for new music from organists, composers, and publishers. To listen to Organlive, or for more information on submitting your music, visit www.organlive.com.
CONTACT: Brent Johnson, Organlive.com 314-496-1278
comments@organlive.com http://www.organlive.com
A new website makes it easier to search the the ever-growing library of organ music, which currently holds over 10,000 tracks from more than 850 albums of music recorded by organists all over the world. Listeners can log in to rate tracks and albums as well as leave comments on the same. Organlive plays albums recorded on pipe, digital, and combination organs played by the world’s best concert organists, as well as tracks recorded and submitted by less renowned organists. Included are pairings of organ and orchestra, solo instruments, choir, or vocal solos. The listener is presented with the work title, composer, album title, a link to purchase the album or MP3 online, the organ, it’s builder, size, and location, and a link to the specification of the organ being heard, and often a link to public domain copy of the sheet music of the work.
Listeners may browse the entire library searching by work, composer, organist, album, or organ and request tracks to be played. On Sundays the station features hymns, choral anthems, and music of the church. Monday's playlist consists of music from the 19th and 20th centuries. Wednesdays are all-baroque music, and Fridays feature the best music from our library, as rated by the listeners.
The station has been continually funded by the listeners, and an annual budget covering all operating expenses is raised every spring. Organlive is always accepting submissions for new music from organists, composers, and publishers. To listen to Organlive, or for more information on submitting your music, visit www.organlive.com.
CONTACT: Brent Johnson, Organlive.com 314-496-1278
comments@organlive.com http://www.organlive.com
Tuesday, November 23
FROM OUR DEAN FOR NOVEMBER 2010
Our first meeting of the season, an Anthem Reading Session, took place October 10th at the Huron Prebyterian Church with seven members in attendance.
Our next meeting will be Sunday, February 6, 2011 at 2:00 for an organ music reading session at Holy Angels Church (1605 W. Jefferson St, Sandusky) on their newly restored organ. We have the church from 2:00-4:00 at which time another group comes in to get ready for their Mass and program.
Work has begun on the directory “AGO Members Today,” which will be the first AGO Directory to feature both photos and contact information of our national membership. If you wish to be included call the toll free number 1-800-347-7562 on the yellow card each of you should have received.
Reading the account of the AGO National Convention in Washington, D.C. caused me to think of program possibilities for the future. A Taize Service, and a Bach Vespers (pg. 62) are certainly possibilities for advertised and promoted public events. If our Chapter is to survive, such public events are essential.
Reading “The Last Page” is a reminder that strife between pulpit and Choir/Organ Loft is an ancient, if regrettable art, long pre-dating guitar services and the introduction of pop and contemporary styles into our Worship Services.
As serious work begins on our loaded Autumn/Winter Music Schedule, I wish each of you great success in fulfilling your seasonal and Holiday projects.
A new feature to assist our membership in music preparation and planning, called “The Dean’s List” is being introduced with this installment. This list will consist primarily of suggested organ and choral music which has come to your Dean’s attention, to be included in our Chapter Newsletter every other issue. While this list might prove late for Advent – Christmas – Epiphany Season this time it might be helpful for some last minute planning.
As prices are subject to change without notice, these have not been included, but may be obtained on the internet, directly from the publisher, or from your favorite music dealer.
Your Dean,
Henry Kihlken
Our next meeting will be Sunday, February 6, 2011 at 2:00 for an organ music reading session at Holy Angels Church (1605 W. Jefferson St, Sandusky) on their newly restored organ. We have the church from 2:00-4:00 at which time another group comes in to get ready for their Mass and program.
Work has begun on the directory “AGO Members Today,” which will be the first AGO Directory to feature both photos and contact information of our national membership. If you wish to be included call the toll free number 1-800-347-7562 on the yellow card each of you should have received.
Reading the account of the AGO National Convention in Washington, D.C. caused me to think of program possibilities for the future. A Taize Service, and a Bach Vespers (pg. 62) are certainly possibilities for advertised and promoted public events. If our Chapter is to survive, such public events are essential.
Reading “The Last Page” is a reminder that strife between pulpit and Choir/Organ Loft is an ancient, if regrettable art, long pre-dating guitar services and the introduction of pop and contemporary styles into our Worship Services.
As serious work begins on our loaded Autumn/Winter Music Schedule, I wish each of you great success in fulfilling your seasonal and Holiday projects.
A new feature to assist our membership in music preparation and planning, called “The Dean’s List” is being introduced with this installment. This list will consist primarily of suggested organ and choral music which has come to your Dean’s attention, to be included in our Chapter Newsletter every other issue. While this list might prove late for Advent – Christmas – Epiphany Season this time it might be helpful for some last minute planning.
As prices are subject to change without notice, these have not been included, but may be obtained on the internet, directly from the publisher, or from your favorite music dealer.
Your Dean,
Henry Kihlken
DEANS LIST
ORGAN:
Bach: “Ausgewahlte Werke Fur Kleinorgel” complied and edited by Hermann Keller (Edition Peters No. 4510). This is the same editor who compiled “80 Chorale Preludes by German masters of the 17th and 18th Centuries,” and is just as useful, perhaps more so, since most if not all of the selectionas are playable on manuals only.
Bach: “J. S. Bach: An Album for Manuals Only” edited by Lionel Lethbridge (Oxford Organ Music, Oxford University Press). A good companion to the previous volume mentioned as it contains only two duplications.
Willan/ Ed Gerike: “Organ Works of Healey Willan,” (Concordia No. 97 – 6676U1). This volume contains, under one cover, all the Hymn and Chorale Preludes by Willan ever published by Concordia Publishing house. All previous editions have been discontinued. These works were commissioned by the Lutheran Church Missouri Synod but are useful in all types of services.
Richard Proulx: “Preludes on Four Hymns” (Augsburg/ Fortress No. 11-10051). Contains all of the Hymn Preludes by Proulx pubished by Augsburg/ Fortress. Variations on the Purcell Tune WESTMINSTER ABBEY, was composed expressly for this volume. It makes a brilliant Festival Prelude and is ideal for Pre-Nuptial Prelude Music.
Paul Manz: “Three Hymn Settings for Organ” (Morning Star Music, No. MSM-10-522). Hymns in this volume are “When Long Before Time/The Singer and the Song,” “Beautiful Savior,” and “Who Trusts in God, a Sure Abode.” This volume should be in every organists library.
CHORAL:
“Most Highly Favored Lady, Basque Carol (Gabriel’s message)” arr. By Garry A. Cornell, Celebrations Unlimited No. CU 237. A little late for this Season, but hold the thought for next year. Delightful. SATB
“Keep Your Lamps” Spiritual arr/ Andre Thomas. Includes optinal parts for Conga Drums. Orff instruments could certainly be substituted in any varied combination. SATB. Hinshaw Music No. HMC577. Great for early Advent.
“Lord of All Hopefulness” Hymn-anthem based on SLANE, arr. By Healey Willan, C.F. Peters No. 6985, C. F. Peters Corp. SATB with organ. A lovely setting, unison passages alternation with SATB, melody alternates between parts on the last verse, men leading the way.
“Father, We Praise Thee” Hymn Anthem on the French Church Melody “Christe Sanctorum” arr. By Healey Willan, easy SATB on verse 1, Soprano unison on verse 2, full unison on verse 3 with an SATB “Amen.” C. F. Peters Corp., No 6125. Gorgeous. A favorite of the St. John Choir.
“Ye Watchers and Ye Holy Ones” A Hymn Anthem on LASST UNS EFREUEN arr. by Healey Willan, moderate SATB, alternating full with unison passages, full organ accompaniment, C. F. Peters Corp., No. 6238.
All listed Anthems are in the repertoire of St. John Lutheran Choir, Port Clinton.
Bach: “Ausgewahlte Werke Fur Kleinorgel” complied and edited by Hermann Keller (Edition Peters No. 4510). This is the same editor who compiled “80 Chorale Preludes by German masters of the 17th and 18th Centuries,” and is just as useful, perhaps more so, since most if not all of the selectionas are playable on manuals only.
Bach: “J. S. Bach: An Album for Manuals Only” edited by Lionel Lethbridge (Oxford Organ Music, Oxford University Press). A good companion to the previous volume mentioned as it contains only two duplications.
Willan/ Ed Gerike: “Organ Works of Healey Willan,” (Concordia No. 97 – 6676U1). This volume contains, under one cover, all the Hymn and Chorale Preludes by Willan ever published by Concordia Publishing house. All previous editions have been discontinued. These works were commissioned by the Lutheran Church Missouri Synod but are useful in all types of services.
Richard Proulx: “Preludes on Four Hymns” (Augsburg/ Fortress No. 11-10051). Contains all of the Hymn Preludes by Proulx pubished by Augsburg/ Fortress. Variations on the Purcell Tune WESTMINSTER ABBEY, was composed expressly for this volume. It makes a brilliant Festival Prelude and is ideal for Pre-Nuptial Prelude Music.
Paul Manz: “Three Hymn Settings for Organ” (Morning Star Music, No. MSM-10-522). Hymns in this volume are “When Long Before Time/The Singer and the Song,” “Beautiful Savior,” and “Who Trusts in God, a Sure Abode.” This volume should be in every organists library.
CHORAL:
“Most Highly Favored Lady, Basque Carol (Gabriel’s message)” arr. By Garry A. Cornell, Celebrations Unlimited No. CU 237. A little late for this Season, but hold the thought for next year. Delightful. SATB
“Keep Your Lamps” Spiritual arr/ Andre Thomas. Includes optinal parts for Conga Drums. Orff instruments could certainly be substituted in any varied combination. SATB. Hinshaw Music No. HMC577. Great for early Advent.
“Lord of All Hopefulness” Hymn-anthem based on SLANE, arr. By Healey Willan, C.F. Peters No. 6985, C. F. Peters Corp. SATB with organ. A lovely setting, unison passages alternation with SATB, melody alternates between parts on the last verse, men leading the way.
“Father, We Praise Thee” Hymn Anthem on the French Church Melody “Christe Sanctorum” arr. By Healey Willan, easy SATB on verse 1, Soprano unison on verse 2, full unison on verse 3 with an SATB “Amen.” C. F. Peters Corp., No 6125. Gorgeous. A favorite of the St. John Choir.
“Ye Watchers and Ye Holy Ones” A Hymn Anthem on LASST UNS EFREUEN arr. by Healey Willan, moderate SATB, alternating full with unison passages, full organ accompaniment, C. F. Peters Corp., No. 6238.
All listed Anthems are in the repertoire of St. John Lutheran Choir, Port Clinton.
SCHEDULE NOTE
The Port Clinton Community Choir under the direction of Craig Dietterich and accompanied by Henry Kihlken will present large sections of Handel’s “Messiah” at St. John Lutheran Church, 207 Adams St., Port Clinton, at 3:00 PM Sunday, December 19, 2010.
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